#FinalVerdict: GRIPPING
Rating: 3 stars
Raat Akeli Hai works like magic because of its intriguing plotline. The journey, right from start to end keeps you on tenterhooks. And the culmination is what takes this film to dizzy heights.
Honey Trehan joins the ranks of directors who will be one of those calling the shots in the future. As far as the execution of the written material is concerned, the debutant director never takes the been-there-seen-that route even once in Raat Akeli Hai. It does take time to settle down, but once you do get the hang of things, the film offers you twist after twist, throws challenge after challenge. The film has a story to tell and it tells most effectively without any sub-plots or unwanted masala.
Raat Akeli Hai is a first-rate product! The camera movement demands your attention. Cinematographer Pankaj Kumar's output is top class. Sreekar Prasad's editing deserves lavish praises for giving shape to this thriller. The background score (Karan Kulkarni) is stirring. Raat Akeli Hai works primarily because the story (Smita Singh) has the edge-of-the-seat moments aplenty, which catches you unawares as the reels unfold. The story moves in a serpentine manner and it's impossible to guess what the culmination would be. Bravo!
Right from the choice of subject to the choice of actors to the thrilling moments, music and locales, Raat Akeli Hai is a thrill-a-minute saga. Everything is so well synchronized. The finale leaves you awe-struck. Director Honey Trehan gets everything right.
When a film has some of the finest talents sharing screen space, it only heightens the curiosity. Nawazuddin Siddiqui is astounding. Radhika Apte is equally dynamic. Every performance in Raat Akeli Hai is charged. Shweta Tripathi Sharma is first-rate. Gyanendra Tripathi is superb. It's about time filmmakers take note of Shivani Raghuvanshi, Nishant Dahhiya, Riya Shukla and ShreeDhar Dubey. Swanand Kirkire, Ila Arun, Aditya Srivastava, Khalid Tyabji, Tigmanshu Dhulia Natasha Rastogi lend able support. Padmavati Rao is simply brilliant.
Raat Akeli Hai is yet another innovative story with a taut screenplay, riveting direction and applaud-worthy performances. If you are an extremely choosy moviegoer who watches select first-rate films, make sure this movie is included on your listing.
Rating: 3 stars
Raat Akeli Hai works like magic because of its intriguing plotline. The journey, right from start to end keeps you on tenterhooks. And the culmination is what takes this film to dizzy heights.
Honey Trehan joins the ranks of directors who will be one of those calling the shots in the future. As far as the execution of the written material is concerned, the debutant director never takes the been-there-seen-that route even once in Raat Akeli Hai. It does take time to settle down, but once you do get the hang of things, the film offers you twist after twist, throws challenge after challenge. The film has a story to tell and it tells most effectively without any sub-plots or unwanted masala.
Raat Akeli Hai is a first-rate product! The camera movement demands your attention. Cinematographer Pankaj Kumar's output is top class. Sreekar Prasad's editing deserves lavish praises for giving shape to this thriller. The background score (Karan Kulkarni) is stirring. Raat Akeli Hai works primarily because the story (Smita Singh) has the edge-of-the-seat moments aplenty, which catches you unawares as the reels unfold. The story moves in a serpentine manner and it's impossible to guess what the culmination would be. Bravo!
Right from the choice of subject to the choice of actors to the thrilling moments, music and locales, Raat Akeli Hai is a thrill-a-minute saga. Everything is so well synchronized. The finale leaves you awe-struck. Director Honey Trehan gets everything right.
When a film has some of the finest talents sharing screen space, it only heightens the curiosity. Nawazuddin Siddiqui is astounding. Radhika Apte is equally dynamic. Every performance in Raat Akeli Hai is charged. Shweta Tripathi Sharma is first-rate. Gyanendra Tripathi is superb. It's about time filmmakers take note of Shivani Raghuvanshi, Nishant Dahhiya, Riya Shukla and ShreeDhar Dubey. Swanand Kirkire, Ila Arun, Aditya Srivastava, Khalid Tyabji, Tigmanshu Dhulia Natasha Rastogi lend able support. Padmavati Rao is simply brilliant.
Raat Akeli Hai is yet another innovative story with a taut screenplay, riveting direction and applaud-worthy performances. If you are an extremely choosy moviegoer who watches select first-rate films, make sure this movie is included on your listing.
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